Christian Curnyn

克里斯蒂安·库尼恩 (Christian Curnyn)是一位英国指挥家、大键琴演奏家和巴洛克音乐专家。

最新歌曲

Christian Curnyn&Early Opera Company&George Frideric Händel&William Congreve - Gavotte
Christian Curnyn&Early Opera Company&George Frideric Händel&William Congreve - Allegro - Adagio
Christian Curnyn&Early Opera Company&George Frideric Händel&William Congreve - No. 1, Ouverture
Christian Curnyn&Early Opera Company&Rosemary Joshua&Hilary Summers&Brindley Sherratt&Stephen Wallace&Richard Croft&Gail Pearson&George Frideric Händel&William Congreve - No. 76, Happy, happy shall we be (All)
Christian Curnyn&Early Opera Company&Stephen Wallace&George Frideric Händel&William Congreve - No. 72, Despair no more shall wound me (Athamus)
Christian Curnyn&Early Opera Company&Early Opera Company Choir&George Frideric Händel&William Congreve - No. 70, O terror and astonishment! (Chorus)
Christian Curnyn&Early Opera Company&Hilary Summers&George Frideric Händel&William Congreve - No. 69, Of my ill-boding dream (Ino)
Christian Curnyn&Early Opera Company&Rosemary Joshua&George Frideric Händel&William Congreve - No. 68, Ah me! too late I now repent (Semele)
Christian Curnyn&Early Opera Company&Richard Croft&George Frideric Händel&William Congreve - No. 66, Ah! whither is she gone! unhappy fair! ( Jupiter)
Christian Curnyn&Early Opera Company&Rosemary Joshua&George Frideric Händel&William Congreve - No. 63, Then cast off this human shape which you wear (Semele)
Christian Curnyn&Early Opera Company&Richard Croft&George Frideric Händel&William Congreve - No. 61, Speak, speak your desire (Jupiter)
Christian Curnyn&Early Opera Company&Richard Croft&George Frideric Händel&William Congreve - No. 59, O Semele (Jupiter)
Christian Curnyn&Early Opera Company&Hilary Summers&George Frideric Händel&William Congreve - No. 57, Rich odours fill the fragrant air (Juno)
Christian Curnyn&Early Opera Company&Rosemary Joshua&George Frideric Händel&William Congreve - No. 56, Thus let my tanks be paid (Semele)
Christian Curnyn&Early Opera Company&Hilary Summers&George Frideric Händel&William Congreve - No. 55, Be wise, as you are beautiful (Juno)
Christian Curnyn&Early Opera Company&Rosemary Joshua&George Frideric Händel&William Congreve - No. 54, Myself I shall adore (Semele)
Christian Curnyn&Early Opera Company&Hilary Summers&George Frideric Händel&William Congreve - No. 53, Thus shap'd like Ino (Juno)
Christian Curnyn&Early Opera Company&Rosemary Joshua&George Frideric Händel&William Congreve - No. 52, My racking thoughts by no kind slumbers freed (Semele)
Christian Curnyn&Early Opera Company&Brindley Sherratt&George Frideric Händel&William Congreve - No. 49, More sweet is that name (Somnus)
Christian Curnyn&Early Opera Company&Gail Pearson&George Frideric Händel&William Congreve - No. 48, Dull God, canst thou attend the water's fall (Iris)
Christian Curnyn&Early Opera Company&Hilary Summers&George Frideric Händel&William Congreve - No. 46, Somnus, awake (Juno)
Christian Curnyn&Early Opera Company&George Frideric Händel&William Congreve - No. 45, Sinfonia. Larghetto e piano per tutto
Christian Curnyn&Early Opera Company&Early Opera Company Choir&George Frideric Händel&William Congreve - No. 44, Bless the glad earth with heav'nly lays (Chorus)
Christian Curnyn&Early Opera Company&Rosemary Joshua&Hilary Summers&George Frideric Händel&William Congreve - No. 43, Prepare then, ye immortal choir (Ino and Semele)
Christian Curnyn&Early Opera Company&Richard Croft&George Frideric Händel&William Congreve - No. 40, Where'er you walk, cool gales shall fan the glade (Jupiter)
Christian Curnyn&Early Opera Company&Richard Croft&George Frideric Händel&William Congreve - No. 39, By my command' (Jupiter)
Christian Curnyn&Early Opera Company&Early Opera Company Choir&George Frideric Händel&William Congreve - No. 38, Now Love that everlasting boy invites (Chorus)
Christian Curnyn&Early Opera Company&Richard Croft&George Frideric Händel&William Congreve - No. 37, I must with speed amuse her (Jupiter)
Christian Curnyn&Early Opera Company&Early Opera Company Choir&George Frideric Händel&William Congreve - No. 35, How engaging, how endearing (Chorus)
Christian Curnyn&Early Opera Company&Rosemary Joshua&George Frideric Händel&William Congreve - No. 34, With fond desiring (Semele)
Christian Curnyn&Early Opera Company&Richard Croft&George Frideric Händel&William Congreve - No. 32, Lay your doubts and fears aside (Jupiter)
Christian Curnyn&Early Opera Company&Rosemary Joshua&George Frideric Händel&William Congreve - No. 30, O sleep, why dost thou leave me? (Semele)
Christian Curnyn&Early Opera Company&Hilary Summers&George Frideric Händel&William Congreve - No. 28, Hence, Iris, hence away (Juno)
Christian Curnyn&Early Opera Company&Hilary Summers&George Frideric Händel&William Congreve - No. 27, No more - I'll hear no more (Juno)
Christian Curnyn&Early Opera Company&Rosemary Joshua&George Frideric Händel&William Congreve - No. 23, Endless pleasure, endless love (Semele)
Christian Curnyn&Early Opera Company&Stephen Wallace&George Frideric Händel&William Congreve - No. 18, Your tuneful voice my tale would tell (Athamus)
Christian Curnyn&Early Opera Company&Thomas Walker&Tim Mead&Hilary Summers&George Frideric Händel&Nicola Haym - O dell'Italo soglio, eccelso nume (Ugone, Flavio, Teodata)
Christian Curnyn&Early Opera Company&Iestyn Davies&George Frideric Händel&Nicola Haym - Bel contento già gode quest'alma (Guido)
Christian Curnyn&Early Opera Company&Rosemary Joshua&Iestyn Davies&Thomas Walker&Andrew Foster-Williams&Hilary Summers&George Frideric Händel&Nicola Haym - Con l'alma reverente - Quanto dolci, quanto care (Emilia, Guido, Ugone, Lotari
Christian Curnyn&Early Opera Company&Thomas Walker&Andrew Foster-Williams&Iestyn Davies&Hilary Summers&George Frideric Händel&Nicola Haym - Lotario, al sacro nodo (Ugone, Lotario, Guido, Teodata)
Christian Curnyn&Early Opera Company&Renata Pokupic&Hilary Summers&George Frideric Händel&Nicola Haym - Ricordati, mio ben (Teodata, Vitige)
Christian Curnyn&Early Opera Company&Renata Pokupic&Hilary Summers&George Frideric Händel&Nicola Haym - Fra i ciechi orror' notturni (Vitige, Teodata)
Christian Curnyn&Early Opera Company&Tutti Soloists&George Frideric Händel&Nicola Haym - Doni pace ad ogni core (Chorus)
Christian Curnyn&Early Opera Company&Tim Mead&Renata Pokupic&Hilary Summers&Thomas Walker&Iestyn Davies&George Frideric Händel&Nicola Haym - E tu, Vitige, in pena (Flavio, Vitige, Teodata, Ugone, Guido)
Christian Curnyn&Early Opera Company&Hilary Summers&Renata Pokupic&Tim Mead&Iestyn Davies&Thomas Walker&George Frideric Händel&Nicola Haym - Vitige! (Teodata, Vitige, Flavio) - Act III Scene VI. Signor, se il mio delitt
Christian Curnyn&Early Opera Company&Rosemary Joshua&Iestyn Davies&George Frideric Händel&Nicola Haym - O Guido, o mio tiranno! - Emilia, eccoti al piede (Emilia, Guido)
Christian Curnyn&Early Opera Company&Renata Pokupic&George Frideric Händel&Nicola Haym - Sirti, scogli, tempeste, procelle (Vitige)
Christian Curnyn&Early Opera Company&Renata Pokupic&George Frideric Händel&Nicola Haym - Del nuovo amante, e dell'impero accesa (Vitige)
Christian Curnyn&Early Opera Company&Renata Pokupic&Hilary Summers&George Frideric Händel&Nicola Haym - Barbara Teodata (Vitige, Teodata)
Christian Curnyn&Early Opera Company&Rosemary Joshua&George Frideric Händel&Nicola Haym - Da te parto. ma concedi (Emilia)
Christian Curnyn&Early Opera Company&Tim Mead&Rosemary Joshua&Thomas Walker&George Frideric Händel&Nicola Haym - Alma, tu non m'intendi (Flavio, Emilia, Ugone)
Christian Curnyn&Early Opera Company&Andrew Foster-Williams&Iestyn Davies&George Frideric Händel&Nicola Haym - Io deluso? Lotario? ed altri miete (Lotario, Guido)
Christian Curnyn&Early Opera Company&Renata Pokupic&George Frideric Händel&Nicola Haym - Non credo instabile (Vitige)
Christian Curnyn&Early Opera Company&Renata Pokupic&George Frideric Händel&Nicola Haym - Amo, e quel ben ch'adoro (Vitige)
Christian Curnyn&Early Opera Company&Renata Pokupic&Hilary Summers&George Frideric Händel&Nicola Haym - Teodata! (Vitige, Teodata)
Christian Curnyn&Early Opera Company&Tim Mead&George Frideric Händel&Nicola Haym - Chi può mirare (Flavio)
Christian Curnyn&Early Opera Company&Tim Mead&Renata Pokupic&George Frideric Händel&Nicola Haym - Di Teodata assai men vago splende (Flavio, Vitige)
Christian Curnyn&Early Opera Company&Iestyn Davies&George Frideric Händel&Nicola Haym - Rompo i lacci, e frango i dardi (Guido)
Christian Curnyn&Early Opera Company&Rosemary Joshua&Iestyn Davies&George Frideric Händel&Nicola Haym - Che mai chiedete, o stelle (Emilia, Guido)
Christian Curnyn&Early Opera Company&Thomas Walker&Hilary Summers&George Frideric Händel&Nicola Haym - Ah! Teodata, Teodata! - Fato tiranno e crudo (Ugone, Teodata)
Christian Curnyn&Early Opera Company&Rosemary Joshua&George Frideric Händel&Nicola Haym - Chi mai l'intende, Oh Dio! - A mante stravagante (Emilia)
Christian Curnyn&Early Opera Company&Rosemary Joshua&Iestyn Davies&George Frideric Händel&Nicola Haym - Guido? Consorte? (Emilia, Guido)
Christian Curnyn&Early Opera Company&Iestyn Davies&George Frideric Händel&Nicola Haym - Amor, Emilia, onore - L'armellin vita non cura (Guido)
Christian Curnyn&Early Opera Company&Thomas Walker&Iestyn Davies&George Frideric Händel&Nicola Haym - Ah! Guido, Guido! (Ugone, Guido)
Christian Curnyn&Early Opera Company&Renata Pokupic&George Frideric Händel&Nicola Haym - Che bel contento (Vitige)
Christian Curnyn&Early Opera Company&Renata Pokupic&George Frideric Händel&Nicola Haym - Io vo temendo, O Dio (Vitige)
Christian Curnyn&Early Opera Company&Tim Mead&George Frideric Händel&Nicola Haym - Di quel che m'innamora (Flavio)
Christian Curnyn&Early Opera Company&Tim Mead&Renata Pokupic&George Frideric Händel&Nicola Haym - Vitige! (Flavio, Vitige)