米良美一

米良美一（日语：米良美一，1971年5月21日－）是一名出生于宫崎县西都市的日本男性声乐家。擅于以假声男高音演唱，个人的音域范围为3个半8度音阶。身高142.7cm。

最新歌曲

米良美一 - 小諸なる古城のほとり
米良美一 - 宵待草
米良美一 - "Lascia ch'io pianga"
米良美一 - Largo
米良美一 - "Lascia ch'io pianga"
米良美一 - II. Auf Flügeln des Gesanges (On Wings of Song)
米良美一 - Largo
米良美一 - Solveig's Song
米良美一 - "Lascia ch'io pianga"
米良美一 - Largo
Midori Suzuki&米良美一&Makoto Sakurada&Yoshitaka Ogasawara - Membra Jesu nostri, BuxWV 75 - Surge, anima mea (Chorus)
米良美一&Makoto Sakurada&Yoshitaka Ogasawara&Bach Collegium Japan - Sicut modo geniti infantes rationabiles (Alto, Tenor, Bass)
Aki Yanagisawa&Midori Suzuki&米良美一&Makoto Sakurada - Membra Jesu nostri, BuxWV 75 - Quid sunt plagae (Chorus)
米良美一&Japan Philharmonic Orchestra&Shigeo Genda - Xerxes, HWV. 40 - "Ombra Mai Fu" - Largo
米良美一 - She’s So Maniac
米良美一 - Yes
米良美一 - Interlude
米良美一 - Sweetest Scene
米良美一 - 君を知ってよかった
米良美一 - Sleeping in the sky
米良美一 - I’ll be there
米良美一 - Lovers in the morning
Bach Collegium Japan&米良美一&John Elwes&David Thomas - The Messiah, HWV 56 - Part 2, "The Passion": Recitative acc. (Tenor): "All they that see Him laugh" (attacca)
Bach Collegium Japan&米良美一&John Elwes&David Thomas - The Messiah, HWV 56 - Part 1, "The Annunciation": Overture (Sinfonia)
Bach Collegium Japan&米良美一&John Elwes&David Thomas - The Messiah, HWV 56 - Part 1, "The Annunciation": Chorus: "And He shall purify the sons of Levi"
Bach Collegium Japan&米良美一&John Elwes&David Thomas - The Messiah, HWV 56 - Part 1, "The Annunciation": Pifa (Pastoral Sinfonia): Larghetto (attacca)
Bach Collegium Japan&米良美一&John Elwes&David Thomas - The Messiah, HWV 56 - Part 2, "The Passion": Chorus: "He trusted in God that He would deliver Him"
Bach Collegium Japan&米良美一&John Elwes&David Thomas - The Messiah, HWV 56 - Part 2, "The Passion": Chorus: "Behold the Lamb of God"
Bach Collegium Japan&米良美一&John Elwes&David Thomas - The Messiah, HWV 56 - Part 2, "The Passion": Chorus: "All we like sheep have gone astray"
Bach Collegium Japan&米良美一&John Elwes&David Thomas - The Messiah, HWV 56 - Part 2, "The Passion": Aria (Bass): "Why do the nations so furiously rage" (attacca)
Bach Collegium Japan&米良美一&John Elwes&David Thomas - The Messiah, HWV 56 - Part 2, "The Passion": Chorus: "Let us break their bonds asunder"
Bach Collegium Japan&米良美一&John Elwes&David Thomas - The Messiah, HWV 56 - Part 2, "The Passion": Chorus: "The Lord gave the Word"
Bach Collegium Japan&米良美一&John Elwes&David Thomas - The Messiah, HWV 56 - Part 2, "The Passion": Aria (Soprano): "How beautiful are the feet of them"
Bach Collegium Japan&米良美一&John Elwes&David Thomas - The Messiah, HWV 56 - Part 3, "The Aftermath": Aria (Soprano): "I know that my Redeemer liveth"
Bach Collegium Japan&米良美一&John Elwes&David Thomas - The Messiah, HWV 56 - Part 2, "The Passion": Recitative (Tenor): "He that dwelleth in heaven" (attacca)
Bach Collegium Japan&米良美一&John Elwes&David Thomas - The Messiah, HWV 56 - Part 3, "The Aftermath": Chorus: "Since by man came death"
Bach Collegium Japan&米良美一&John Elwes&David Thomas - The Messiah, HWV 56 - Part 3, "The Aftermath": Chorus: "Worthy is the Lamb that was slain"
米良美一 - Wir eilen mit schwachen, doch emsigen Schritten
米良美一 - Morgen, Op.27 No.4 (Text: John Henry Mackay Morning 明日)
米良美一 - La danse des Troyennes Virginales from 'Faust' (Dance of Trojan Virgins 歌劇「ファウスト」～トロイの娘たちの踊り)
米良美一 - Allerseelen, Op.10 No.8 (Text: Hermann von Glim All Souls 万霊節)
米良美一 - Higanbana (Amaryllises Text: Hakushu Kitahara)
米良美一 - Music of the Spheres (Text: composer)
米良美一 - Uguisu (Nightingale Text: Haruo Sato)
米良美一 - Komoriuta (Lullaby Text: Akira Nogami)
米良美一 - Akatonbo (The Red Dragonfly Text: Rofu Miki)
米良美一 - はる
米良美一 - たあんきぽーんき
米良美一 - ペチカ
米良美一 - 初恋
米良美一 - もののけ姫
米良美一 - Ave Maria
米良美一 - Solveigs sang from 'Peer Gynt', Op.23 (Text: Henrik Ibsen Solveig´s Song ソルヴェーグの歌)
米良美一 - Romance from 'Faust' (Text: Jules Barbier 歌劇「ファウスト」～ロマンス)
米良美一 - Vocalise, Op.34 No.14
米良美一 - But who may abide... from Messiah (Text: Charles Jennens)
Midori Suzuki&米良美一&John Elwes&David Thomas&Bach Collegium Japan&Masaaki Suzuki - Recitative. Behold, a virgin shall conceive
米良美一&Bach Collegium Japan&Masaaki Suzuki - Recitative. Die Art verruchter Sunden (Alto)
米良美一&Taka Kitazato&Bach Collegium Japan&Masaaki Suzuki - III. Recitative. Wir mussen durch viel Trubsal…
米良美一&Natsumi Wakamatsu&Bach Collegium Japan&Masaaki Suzuki - IV. Recitative. Ich will, mein Gott…
米良美一&Concerto Palatino&Bach Collegium Japan&Masaaki Suzuki - Secunda pars
Midori Suzuki&米良美一&John Elwes&David Thomas&Bach Collegium Japan&Masaaki Suzuki - Aria. Thou art gone up on high (Alto)
米良美一&Natsumi Wakamatsu&Bach Collegium Japan&Masaaki Suzuki - V. Aria. Christi Glieder, ach bedenket…
米良美一&Makoto Sakurada&Bach Collegium Japan&Masaaki Suzuki - Aria Duet. In meinem Gott bin ich erfreut! (Alto, Tenor)
Midori Suzuki&米良美一&John Elwes&David Thomas&Bach Collegium Japan&Masaaki Suzuki - Aria. But who may abide the day of His coming (Alto)
Midori Suzuki&米良美一&John Elwes&David Thomas&Bach Collegium Japan&Masaaki Suzuki - Aria and Chorus. O Thou That tellest good tidings to Zion (Alto)
米良美一&Bach Collegium Japan&Masaaki Suzuki - Baroque Arias for counter-tenor - Vol.1 - 11 - Komm, du susse Todesstunde, BWV 161 - I. Aria with Chorale - Komm, du susse Todesstunde....flac
米良美一&Taka Kitazato&Bach Collegium Japan&Masaaki Suzuki - Aria. Kreuz und Krone sind verbunden (Alto)